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Aspects of this take on the 1970s hit TV series are similar to the original show :Angels Dylan, Natalie and Alex still work for Charlie and interface with Bosley. They still flip their hair, stop traffic with a smile and kick butt. The differences are the unsubtle humor, the martial arts training and the high-tech premise: This time, they’re hot on the trail of stolen software.
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Charlie’s Angels” is eye candy for the blind. It’s a movie without a brain in its three pretty little heads, which belong to Cameron Diaz, Drew Barrymore and Lucy Liu. This movie is a dead zone in their lives, and mine.
What is it? A satire? Of what? Of satires, I guess. It makes fun of movies that want to make fun of movies like this. It’s an all-girl series of mindless action scenes. Its basic shot consists of Natalie, Dylan and Alex, the Angels, running desperately toward the camera before a huge explosion lifts them off their feet and hurls them through the air and smashes them against windshields and things–but they survive with injuries only to their makeup.
Why, I am asking, is this funny? I am thinking hard. So much money and effort was spent on these explosions that somebody must have been convinced they had a purpose, but I, try as I might, cannot see them as anything other than action without mind, purpose, humor, excitement or entertainment.
The movie’s premise will be familiar to anyone who ever watched the original TV show. I never watched the show, and the plot was familiar even to me. A disembodied voice (John Forsythe) issues commands to the three babes who work for his detective agency, and they perform his missions while wearing clothes possibly found at the thrift shop across the street from Coyote Ugly.